|
A. BAYLEY. 1996. Bartók performance studies: Aspects of articulative notation in the context of changing traditions of composition and performance in the twentieth century. Ph.D. thesis. Reading.
|
Last edited by: Gregory Walker
|
|
Pop. 78.01%
|
|
|
R. BECKLES WILLSON. 1999. György Kurtág's 'The Sayings of Péter Bornemisza', Op.7: Song in a cycle in 1960s Hungary. Ph.D. thesis. London (KCL).
|
Last edited by: Gregory Walker
|
|
Pop. 77.13%
|
|
|
J.P. DAWSON. 1987. The programmatic principle in the symphonic poems of Franz Liszt. M.Phil. thesis. Leeds.
|
Added by: gerard
|
|
Pop. 64.81%
|
|
|
R. DULLEA. 2005. Nation, race and religion in Franz Liszt's 'Des bohémiens et de leur musique en Hongrie'. Ph.D. thesis. NUI (Cork).
|
Last edited by: gerard
|
|
Pop. 66.28%
|
|
|
S.B. EMMERSON. 1983. Two early orchestral works of Béla Bartók: A study of programmatic form and orchestral technique. M.Phil. thesis. Oxford.
|
Added by: gerard
|
|
Pop. 59.12%
|
|
|
-----. 1989. Programmatic and symbolic references in some early works of Bartók. D.Phil. thesis. Oxford.
|
Last edited by: Gregory Walker
|
|
Pop. 62.35%
|
|
|
M.G.W. GILLIES. 1987. Notation and tonal structure in Bartók's later works. Ph.D. thesis. London (External).
|
Added by: gerard
|
|
Pop. 64.28%
|
|
|
C.J. GOODALL. 1973. Percussive effects in the music of Bartók. Ph.D. thesis. Wales (Bangor).
|
Added by: gerard
|
|
Pop. 57.83%
|
|
|
K.L. HAMILTON. 1989. The opera fantasias and transcriptions of Franz Liszt: A critical study. D.Phil. thesis. Oxford.
|
Last edited by: Gregory Walker
|
|
Pop. 64.81%
|
|
|
A. KORY. 2005. Béla Bartók and ethnomusicology. M.Phil. thesis. London (KCL).
|
Added by: gerard
|
|
Pop. 42.58%
|
|
|
M.P. MCLAY. 1986. The music of György Kurtág, 1959-1980. Ph.D. thesis. Liverpool.
|
Last edited by: Gregory Walker
|
|
Pop. 56.6%
|
|
|
P.W. MERRICK. 1985. The religious music of Franz Liszt. Ph.D. thesis. Sheffield.
|
Added by: gerard
|
|
Pop. 38.48%
|
|
|
J.L. PARSONS. 2005. Stylistic change in violin performance 1900-1960, with special reference to recordings of the Hungarian Violin School. Ph.D. thesis. Cardiff.
|
Last edited by: Gregory Walker
|
|
Pop. 63.58%
|
|
|
T. RUTHERFORD-JOHNSON. 2009. New music from Poland and Hungary: From reception to analysis [with special reference to Penderecki and Ligeti]. PhD thesis. London (Goldsmiths).
|
Added by: gerard
|
|
Pop. 47.1%
|
|
|
A.G. WILSON. 1975. Form and harmony in the orchestral works and string quartets of Bartók. M.Litt. thesis. Cambridge.
|
Last edited by: gerard
|
|
Pop. 43.93%
|
|
|
R. YAMAMOTO. 2004. György Kurtág's 'Játékok': An analytical study of his musical language. Ph.D. thesis. Roehampton.
|
Last edited by: gerard
|
|
Pop. 49.85%
|
|
UTREES by Gregory Walker; J. S. G. Simmons; MHRA is licensed under a Creative Commons Attribution-Noncommercial 2.0 UK: England & Wales License.